Rembrandt/Picasso

Authors

  • María Dolores Jiménez-Blanco Complutense University of Madrid image/svg+xml

DOI:

https://doi.org/10.24310/ba.45.2024.20114

Keywords:

Picasso, Rembrandt, Engraving, Past, Desire, Death

Abstract

When Picasso approaches Rembrandt’s work in the 1930s he finds answers to many of his personal obsessions that can be reduced to two: artistic experimentation and exploration of human nature through images. This article reviews some of the episodes of this connection that can be inscribed in Picasso’s continual relation with art of the past.

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References

ASHTON, Dore (ed.) (1988), Picasso on Art. A Selection of Views, Da Capo Press, Nueva York.

GILOT, Françoise and LAKE, Carlton (1989), Life with Picasso, Anchor Books, Nueva York.

PARMELIN, Hélène (1968), Habla Picasso, traducción de Fernando Gutiérrez, Gustavo Gili, Barcelona.

SCHAMA, Simon (2007), «Rembrandt’s Ghost. Picasso Looks Back», The New Yorker, Nueva York, March 26. En: <https://www.newyorker.com/magazine/2007/03/26/rembrandts-ghost>.

VERGARA, Alejandro (2008), «Historias de Rembrandt», Catálogo de la exposición Rembrandt Pintor de Historias, Museo del Prado, Madrid, pp. 17-57.

Published

2024-10-04

Dimensions

PlumX

Issue

Section

Contrasts