The Road movie as a Transnational model and its Presence in spanish cinema: methodological Framework and main contributions.

Authors

  • Santiago García Ochoa Universidad de Santiago de Compostela

DOI:

https://doi.org/10.24310/BoLArte.2016.v0i37.3560

Abstract

The present article defends that transnational studies are the most appropriate methodological framework to study the presence of the road movie (an American genre born during the sixties) worldwide through at least three ways: the binary of national/transnational, the transnational as a regional phenomenon and the diasporic, exilic and postcolonial cinemas. Finally, the author tackles the Spanish road movie and the main academic literature on this topic.

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Published

2017-11-19

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PlumX

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Section

Research Paper

How to Cite

The Road movie as a Transnational model and its Presence in spanish cinema: methodological Framework and main contributions. (2017). Boletín De Arte, 37, 79-88. https://doi.org/10.24310/BoLArte.2016.v0i37.3560