¿Fedeltá o animalidad? El perro en las escenas de conversión de María Magdalena en la Italia del siglo XVI

Elena Monzón Pertejo

doi:10.24310/BoLArte.2019.v0i40.5689

Authors

Elena Monzón Pertejo http://orcid.org/0000-0003-4133-3146 (unauthenticated)

DOI:

https://doi.org/10.24310/BoLArte.2019.v0i40.5689

Abstract

Since Antiquity, non-human animals have been used for embodying virtues and vices. The symbolic meaning of the dog moves back and forth between negative and positive attitudes depending on each tradition. This paper seeks to study the presence of the dog in Mary Magdalene’s conversion. The selected paintings are related to sixteenth-century Italian art. Iconography and iconology as well as gender studies are the main methodological approaches to the subject.

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Author Biography

Elena Monzón Pertejo

Doctora en Historia del Arte por la Universitat de València (2017).

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