GARCÍA-MANSO, A. Theatre scenes in medieval road-movies: : Iconographic hybridity, irony and secularity in John Huston’s Walk whit the love and the death (1969). Eviterna Journal, [S. l.], n. 11, p. 85–100, 2022. DOI: 10.24310/Eviternare.vi11.13984. Disponível em: https://www.revistas.uma.es/index.php/eviterna/article/view/13984. Acesso em: 18 may. 2024.