Schelling’s presence in Mikel Dufrenne’s ontological aesthetics
DOI:
https://doi.org/10.24310/Studiahegelianastheg.v5i.11396Keywords:
SCHELLING, MIKEL DUFRENNE, NATURE, ONTOLOGICAL AESTHETICS, AESTHETIC EXPERIENCEAbstract
This paper intends to discuss how Schelling’s notion of Nature influences Dufrenne’s aesthetic thought. A key yet controversial influence, as it impacts the perception-limit it heralds: of oneness, whereupon subject and object intertwine in an a priori correlation.
Such prodigality of Nature is evident both in this symbiosis and especially in the overflowing emergence of a brute/wild undercurrent – embryonic yet overt – as a path towards a poietic causality, prone to ontological and metaphysical interpretation. A pursuable matrix thus arises, which can be tapped by the aesthetic-artistic scope of existence. Hence its critical interest.
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