Reescrituras post-góticas de la monstruosidad femenina: : La novela Frankenstein (1818) de Mary Shelley y la obra cinematográfica Lisa Frankenstein (2024) de Zelda Williams.

Camila Gordillo Varas

doi:10.24310/tlc.7.2025.21516

Autores/as

Camila Gordillo Varas Letrada

DOI:

https://doi.org/10.24310/tlc.7.2025.21516

Palabras clave:

posthumano, monstruos, El doble, adaptación, feminismo, adolescencia

Resumen

Este artículo se centra en establecer una relación entre la película Lisa Frankenstein (2024) de Zelda Williams y los elementos góticos de la canónica novela Frankenstein (1818) de Mary Shelley. Además, se examina la obra cinematográfica como una reformulación post-gótica feminista de la imagen del monstruo en la tradición del horror del cine coming of age, al explorar un conflicto de identidades fracturadas, marginalizadas y posthumanas. Para ello, se abordan los siguientes ejes fundamentales: el rol femenino en la ficción gótica, el monstruo como doble psíquico, la figura del abhumano y la reapropiación de la corporalidad en los feminismos materiales.

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