Aesthetics and Complexity theory

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DOI:

https://doi.org/10.24310/Umatica.2020.v2i3.12177

Keywords:

Complexity, Self-organization, Aesthetics

Abstract

This article debates some of the main categories of Complexity and Self-organization Theories analyzing them from the point of view of contemporary Aesthetics and Art Theory. Thus we shall discuss specifically three of the these categories, namely the autocatalytical processes of diffusion and reaction, the distinction between homeosthasis and homeorhesis and finally the dynamics of repulsion, atraction and repulsion in ferrofluid systems.

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References

Agazzi, E. (2002). Complexity and Emergence, Londres, World Scientific Publishing Co.

Bacri, J. C,. & Elias F. (2011). Ferrofluids: A model system of self-organized Equilibrium. In P. Bourgine & A. Lesne (Eds.), Morphogenesis, origins of Patterns and Shapes. Berlin: Springer-Verlag.

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Gardner, M. (1983). The whys of a philosophical scrivener.

Isaeva, V. V. (2005). Synergetics for Biologists: An Introductory Course. Moscow. Nauka.

Lizcano, E. (2006). Metáforas que nos piensan. Madrid: Traficantes de sueños.

Schantz, R. (2011). The problem of relativism in the sociology of (scientific) knowledge. Frankfurt, Ontos Verlag

von Weizsäcker, E., & von Weizsäcker, C. (1998). Information, evolution and “error-friendliness”. Biol Cybern, 79, 501–506. https://doi.org/10.1007/s004220050499

Ziff, P. (1953). “The task of defining a work of art”, Philosophical Review, 62, 58-78.

Zizek, S. (2015). Menos que nada, Madrid, Akal.

#03 ESPACIO PÚBLICO Y TEJIDO SOCIAL_ Portada de Rogelio López Cuenca_ Mapa de Valencia (2015)_ MNCARS

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Published

2020-12-30

How to Cite

Claramonte Arrufat, J. (2020). Aesthetics and Complexity theory. UMÁTICA. Journal on Image Creation and Analysis, 3(3), 31–45. https://doi.org/10.24310/Umatica.2020.v2i3.12177

Issue

No. 3 (2020): Public Space and Social Fabric: Collaborative Art in times of Crisis

Section

Articles (RESEARCH AREA)

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