Pedro José Pradillo, a conceptual artist cult
About the exhibition ‘With what purpose’. Guadalajara, September-October 2019
DOI:
https://doi.org/10.24310/Umatica.2020.v2i3.6769Keywords:
Pedro José Pradillo; Conceptual art; Object art; exhibition in Guadalajara; year 2019Abstract
The main characteristic observed in the mature production of Pedro José Pradillo, reflected in the 2019 exhibition in Guadalajara, regardless of his constructivist periods, is his fidelity to conceptual art; also the deep analysis that deals with the meaning of art - in particular that elaborated in the twentieth century - and the role of culture in Western society. His interest, as in any other artist of that movement, focuses on achieving images and objects for fascination from the combination of elements found that, beyond the particular aesthetic resulting, raise unwanted concerns in the viewer and cause He reasons for reflection. His assemblages place him, at the same time, within the current of object art.
Downloads
Metrics
References
Battcock, Gregory. (ed.) (1977). La idea como arte. Documentos sobre el arte conceptual, Editorial Gustavo Gili, Barcelona.
Burnham, Jack: “Problemas críticos”, La idea como arte. Documentos sobre el arte conceptual, Editorial Gustavo Gili, Barcelona, pp. 43-59.
Kosuth, Joseph (1969). “Arte y Filosofía I y II”, Studio International, diciembre.
Marchán Fiz, Simón (1972). Del arte objetual al arte de concepto, Editorial Alberto Corazón, Madrid.
Muñoz Jiménez, José Miguel (1996). “Cajas, Dadá y Neo Pop”, en el catálogo Pedro José Pradillo.InCon·Vertido, Guadalajara, Junta de Comunidades de Castilla-La Mancha.
Muñoz Jiménez, José Miguel (2018). ‘Ecce Homo. A propósito de F. Nietzsche’: la última propuesta del artista conceptual Pedro José Pradillo”, Actas del XVI Encuentro de Historiadores del Valle del Henares, Alcalá de Henares, pp. 467-486.
Muñoz Jiménez, José Miguel (2019). “El arte como narración. Pedro José Pradillo, un artista conceptual”, en el Catálogo de la exposición ‘Con qué objeto’, Guadalajara, pp. 5-17.
Muñoz Jiménez, José Miguel (2020). Besos y Caprichos. Iconografía y estilo en 80 cajas-collages de Pedro José Pradillo, Guadalajara.
Perreault, John (1971). “Solo palabras”, en The Village Voice, 20 de mayo de 1971.
Ricoeur, Paul (1965), De l’interprétation: Essai sur Freud, Paris: Editions du Seuil.
Downloads
Published
How to Cite
Issue
Section
License
All contens publishes in Umática.Revista sobre Creación y Anáisis de la Imágen are protected under the Creative Commos Attribution-NonComercial-ShareAlike 4.0 International (CC-BY-NC-SA 4.0) license.
All about this license is available in the following link: <http://creativecommons.org/licenses/by-nc-sa/4.0>
Users can copy, use, redistribute, share and exhibit publicly as long as:
- The original source and authorship of the material are cited (Journal, Publisher and URL of the work).
- It is not used for comercial purposes.
- The existence of the license and its especifications are mentioned.
There are two sets of authors’ rights: moral and property rights. Moral rights are perpetual prerogatives, unrenounceable, not-transferable, unalienable, imprescriptible and inembargable. According to authors’ rights legislation, Umática.Revista sobre Creación y Anáisis de la Imágen recognizes and respects authors moral rights, as well as the ownership of property rights, which will be transferred to University of Malaga in open access. The property rights are referred to the benefits that are gained by the use or the dissemination of works. Fotocinema. Umática.Revista sobre Creación y Anáisis de la Imágen is published in an open access form and it is exclusively licenced by any means for doing or authorising distribution, dissemination, reproduction, , adaptation, translation or arrangement of works.
Authors are responsable for obtaining the necessary permission to use copyrighted images.
Copyright note: Authors who have publications with this journal agree and certify to the following terms:
- That he/she has contributed directly to the intellectual content of the work, for which he/she is responsible for all purposes.
- That he/she approves the contents of the manuscript submitted to the editorial process of UMÁTICA, REVISTA SOBRE CREACIÓN Y ANÁLISIS DE LA IMAGEN, and therefore agrees that his/her name appears as the author(s).
- That the content of the article has not been published and that it does not appear in any other work that is about to be published.
- That he/she agrees not to submit it for consideration of another publication while it is in the process of being reviewed by UMÁTICA, REVISTA SOBRE CREACIÓN Y ANÁLISIS DE LA IMAGEN, nor later in case it is accepted for publication.
- That he/she has not had, nor does any personal or financial affiliations that could prejudice the development or results of the present work.
- That all those persons who have made a substantial contribution to the development of the work, having given their permission for the mention, have been mentioned in the acknowledgments section.
- That he/she agrees to provide, when required by the journal, access to all the data and sources on which the work presented is based.
- That he/she will actively participate in the realization of all those stylistic or orthographic-typographic modifications necessary for the publication of the work when notified by the journal's editorial team.
- That he/she has not violated, and nor will, the laws and human or animal rights during the process of research and publication of this work.
- That, none of the institutions in which he/she carries out his/her scientific and research work has presented objections to the publication of the manuscript submitted for evaluation.
- That data and references to materials published are credited and included in the references and citations and, in the cases required, have the due authorizations of those who own the patrimonial rights.
- That any material used is free of copyright. Author(s) is responsible for any litigation or claim related to intellectual property rights, exonerating UMÁTICA, REVISTA SOBRE CREACIÓN Y ANÁLISIS DE LA IMAGEN (UMÁTICA, CREATION AND ANALYSIS OF IMAGE JOURNAL) of any responsibility.
- That in case the work is approved for publication, authorizes the publisher to include the text in the journal UMÁTICA, REVISTA SOBRE CREACIÓN Y ANÁLISIS DE LA IMAGEN and to reproduce, edit, distribute, exhibit and communicate it in the country and abroad by printed, electronic, CD, Internet or any other means known or to be known.
23.png)
