La polémica en torno a la estética ontológica de Heidegger: Schapiro, Schaeffer y Derrida
DOI:
https://doi.org/10.24310/Contrastescontrastes.v11i0.1457Abstract
Resumen
El trabajo se propone, por un lado, presentar los argumentos que M. Shapiro y J. M. Schaffer hicieron contra la interpretación heideggeriana del cuadro de van Gogh. Y, por otro, someter a un análisis crítico cada una de las objeciones. La idea central es presentar la polémica que produjo la recepción del texto de Heidegger Der Ursprung des Kusntwerkes y mostrar que dicha recepción se funda en un desconocimiento del pensamiento heideggeriano -tal como sucede en el caso de M. Shapiro- y en una incorrecta descripción de la producción del sentido –tal es el caso de J. M. Schaffer-.
Conceptos Clave:
Significado, Referente, Obra de Arte, Estética
Abstract The study aims, on one hand, at submitting the objections that M. Shapiro and J.M: Schaffer made against Heidegger´s interpretation of Van Gogh´s painting, and, on the other hand, at making a critical analysis of every objection. The main idea consists in presenting the controversy created by the reception of Heidegger´s Der Ursprung des Kusntwerkes and showing that said reception is based on the ignorance of Heidegger´s thought – as in the case of M. Shapiro – and on the improper description of the production of meaning – as in the case of J.M. Schaffer.
Key concepts:
Meaning, Referent, Work of Art, Aesthetics
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