Beyond form and content: Reading the biological sources of Deleuze’s aesthetics
DOI:
https://doi.org/10.24310/Contrastescontrastes.v21i1.2310Keywords:
Deleuze, Aesthetics, Simondon, Bergson, Von UexküllAbstract
The originality of Deleuze aesthetics is its implicit refuse of any anthropology o psychology of the artist or the spectator, and also a refusal of hermeneutics, language theories and structuralist semiology towards an analysis of the work of art. The problem of animality and life in general in relation to art seems to respond, in an unprecedented way, to the fading of those which classical aesthetics regarded as split topics for the analysis of the work of art, i.e., author, work of art, spectator. This paper points out some relevant aspects of individuation and life theories in Simondon, Bergson and von Uexküll, so as to understand their use and function in Deleuze aesthetics.Downloads
References
Downloads
Published
Dimensions
Issue
Section
License
This journal provides immediate free access to its content under the principle of making research freely available to the public. All content published in Contrastes. Revista Internacional de Filosofía, are subject to the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 license whose full text can be found at <http://creativecommons.org/licenses/by-nc-sa/4.0>
It is the responsibility of the authors to obtain the necessary permissions of the images that are subject to copyright.
Authors whose contributions are accepted for publication in this journal will retain the non-exclusive right to use their contributions for academic, research and educational purposes, including self-archiving or repository in open access repositories of any kind.
The electronic edition of this magazine is edited by the Editorial Service of the University of Malaga (Uma Editorial), being necessary to cite the origin in any partial or total reproduction.
How to Cite
5.png)
