Aerial Roots and Unsteady Topographies in the Era of Great Migrations
DOI:
https://doi.org/10.24310/Contrastescontrastes.v0i0.1192Keywords:
art, contemporary, transculturalAbstract
Starting from the hypothesis that, from the last third of the XXth century, uprooting has become a necessary condition for the artistic formulation, this text deals with the efforts of many artists in thinking up new cartographies of the world, and with the tension between the attempts to dissolve borders and the exert in reaffirming identities. It discusses the creation of a global art and the feeling of loss that it produces.
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