La estética del pastiche postmoderno. Una lectura crítica de la teoría de Fredric Jameson
DOI:
https://doi.org/10.24310/Contrastescontrastes.v15i0.1335Abstract
Resumen
En el presente artículo se pretende sacar a la luz los presupuestos filosóficos e ideológicos que subyacen a la teoría del pastiche postmoderno del pensador norteamericano Fredric Jameson. Pese a que las descripciones que se encuentran en La lógica cultural del capitalismo tardío son breves y escuetas, los fundamentos marxistas y estructuralistas que las ahorman ayudan a entenderla. En paralelo, se explica una de sus tesis más desconocidas, la relativa a la llamada «película nostálgica», y se explica su actitud ante otras manifestaciones artísticas postmodernas como la arquitectura historicista.
Palabras clave
Postmodernismo, pastiche, Fredric Jameson, arquitectura postmoderna, película nostálgica
Abstract
This paper intends to clarify the philosophical and ideological backgrounds that underlie the North American thinker Fredric Jameson’s theory of the postmodern pastiche. Despite the fact that the descriptions provided in Postmodernisms, Or the Cultural Logic of Capitalism are brief and succinct, the Marxist and Structuralist foundations that form them can help understand thistheory. In parallel, we explain one of his lesser known theses, the so called «nostalgic movie», and his attitude towards other artistic postmodern manifestations as the historicist architecture.
Keywords
Postmodernism, pastiche, Fredric Jameson, postmodern architecture, nostalgic movie
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