Sculpture chalenge. Surrealism and materialism
DOI:
https://doi.org/10.24310/Contrastescontrastes.v21i3.2564Keywords:
Surrealist Object, Breton, Sculpture, CollageAbstract
Taking as the starting point the Bretonian proposed «physique de la poésie», we analyse the conditions of emergence of the different variations that meet the Surrelist practice of Surrelism object, from the Boule suspendue (1930) of Giacometti, until the sculptures created by Miró in the fifties, focused on the construction of objets à fonctionnements symboliques by Dalí, the fundamental writing of Breton about the «Equation de l’objet trouvé» and the celebration, in 1936, of the founding exhibition at the Galery Charles Ratton.Downloads
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