Nietzsche, the Nihilism and the Art of the Transfiguration
DOI:
https://doi.org/10.24310/EstudiosNIETen.vi19.11714Keywords:
nihilism, death of god, art, transfiguration / art of transfigurationAbstract
Nihilism is one of the major topics in Nietzsche’s thinking. Even though Nietzsche does not use the term «nihilsm» itself bevor 1880 the problem of nihilism bothers him right from the beginning of his philosophical career. Yet Nietzsche had already developed the philosophical concept of an eternal aesthetic justification of existence in The Birth of Tragedy (1872) – a concept which is a response to the threat of nihilism, caused by suffering which life brings inevitablyin its wake. In this early book the justification is achieved by means of art, i.e. a special work of art: ancient Greece’s tragedy. However Nietzsche is not only the one to boldly proclaim the death of God, he also has contritely to admit the death of tragedy. Thus he has to find a new way to avert nihilism by transfiguring life. Indeed he succeeds in this task with the notion of the «art of transfiguration». The present text scrutinizes both of Nietzsche’s antinihilistic concepts of transfiguration against the backdrop of his (also antinihilistic) philosophy of nihilism.
Downloads
References
Downloads
Published
Dimensions
Issue
Section
License
As of issue 21 (2021) this journal is published only in open access (diamond route).
From that number 21, like the previous numbers published in NIETZSCHE STUDIES, they are subject to the Creative Commons Acknowledgment-NoComercia-ShareIgual 4.0 license, the full text of which can be consulted at <http://creativecommons.org/licenses/by-nc-sa/4.0 >
It is the responsibility of the authors to obtain the necessary permissions of the images that are subject to copyright.
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright generates two different rights: moral rights and patrimonial rights that EJFB recognizes and respects. Moral rights are those relating to the recognition of the authorship. They are rights of a personal nature that are perpetual, inalienable, unseizable and imprescriptible as consequence of the indivisible union of the author and his/her work.
Patrimonial rights are those that can be derived from the reproduction, distribution, adaptation or communication of the work, among others.

11.png)