La musa de Nietzsche

Authors

  • Paulina Rivero Weber National Autonomous University of Mexico image/svg+xml
    Mexico

DOI:

https://doi.org/10.24310/EstudiosNIETen.vi2.8797

Abstract

El joven adolescente contaba apenas con catorce años de edad y ya dejaba constancia de su opinión sobre aquella que sería su única compañera de vida, y anotaba en su diario: la música. Este artículo explora cómo la música no sólo fue una categoría esencial del pensamiento de Nietzsche, sino que él mismo fue compositor musical, y tanto para el compositor como para el filósofo, la música fue su verdadera musa.

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Author Biography

  • Paulina Rivero Weber, National Autonomous University of Mexico
    National Autonomous University of Mexico

References

Janz, C. P. F. Nietzsche, Der musikalische Nachlass, Basel 1976.

Nietzsche, F., De mi vida (1844–1858), tr. L. F. Moreno, Valdemar, Madrid, 1997.

Nietzsche, F., Fragmentos Póstumos I-IV (FP). Director ed. Diego Sánchez Meca. Madrid: Tecnos, 2006-2010.

Nietzsche, F., Obras Completas, I-IV (OC ). Director ed. Diego Sánchez Meca. Madrid: Tecnos, 2011-2016.

Nietzsche, F., Obras Completas, I-IV (OC ). Director ed. Diego Sánchez Meca. Madrid: Tecnos, 2011-2016.

Rohde, E., Psique, tr. W. Roces, Fondo de Cultura Económica, México, 1983.

Vattimo, G. Introducción a Nietzsche. Barcelona: Península, 2001.

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Published

2002-12-01

Dimensions

PlumX

Citations

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Issue

No. 2 (2002): Nietzsche and Music

Section

Articles

License

As of issue 21 (2021) this journal is published only in open access (diamond route).

From that number 21, like the previous numbers published in NIETZSCHE STUDIES, they are subject to the Creative Commons Acknowledgment-NoComercia-ShareIgual 4.0 license, the full text of which can be consulted at <http://creativecommons.org/licenses/by-nc-sa/4.0 >

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How to Cite

Rivero Weber, P. (2002). La musa de Nietzsche. Estudios Nietzsche, 2, 147-158. https://doi.org/10.24310/EstudiosNIETen.vi2.8797