Life as art and art as life

Reflections on seven exemplary bioartistic works

Authors

  • Miguel Ángel Medina Departamento de Biología Molecular y Bioquímica, Facultad de Ciencias, Universidad de Málaga, Andalucía Tech, E-29071 Málaga,, España Spain https://orcid.org/0000-0001-7275-6462
  • Juan Antonio Sánchez López Departamento de Historia del Arte, Facultad de Filosofía y Letras, Universidad de Málaga, E-29071 Málaga,, España Spain

DOI:

https://doi.org/10.24310/re.17.2025.20057

Keywords:

Bird art, Bioart, leporides, transgenic art, transhumanism

Abstract

Bioart is contributing to the contemporary art with a different gaze, new media, and profound reflections on the artistic work and on life. Although there is a lot of literature written on the topic there is a lack of efforts to adequately connect bioartists with Art History, and to deepen the connections between their artistic work and the concept of life, between their artistic practice and biology. The present article aims to make an approach to the reflections around life as art and art as life through a careful selection of 7 ‘exemplary’ bioartistic cases, contextualizing them as follows: First, the most popular bioart work is placed in continuity connection with two landmark works from two distinct moments in the history of art separated in time by more than 400 years; second, three works in which the bodies of the bioartists themselves were intervened on are placed in dialogue with the body art movement; and finally, three works by and pioneers of bioart are linked with the discourse of a recent installation by an emerging artist.

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Author Biographies

Miguel Ángel Medina, Departamento de Biología Molecular y Bioquímica, Facultad de Ciencias, Universidad de Málaga, Andalucía Tech, E-29071 Málaga,, España

Miguel Ángel Medina is Graduate (1985) and Doctor in Biology (1989) and Graduate in Art History (2010). Since 2009, he is Full Professor of Biochemistry and Molecular Biology at the University of Málaga (Spain). Regarding biology, he is author of more than 250 scientific works on his research topics: tumor metabolism, angiogenesis, redox biochemistry and rare diseases. His research makes use of procedures and techniques from molecular biology and biochemistry, cell cultures, spectroscopic, omics and systems biology approaches. More information in his ORCID ID: 0000-0001-7275-6462 Regarding arts, he is the author of 1 book and 26 articles in the fields of art critic and art history. He is currently involved in his PhD Thesis in Arts devoted to the connections between the arts and the sciences.

Juan Antonio Sánchez López, Departamento de Historia del Arte, Facultad de Filosofía y Letras, Universidad de Málaga, E-29071 Málaga,, España

Juan Antonio Sánchez López is Graduate (1990) and Doctor in Art History (1994). Since 2017, he is Full Professor of Art History at the University of Málaga (Spain). His scientific production includes studies of sculpture, iconography, artistic literature, architecture, symbolic forms, plastic and decorative arts of the Golden Age in Spain and Italy, gender studies and poetics of the body, public sculpture and urban monuments. Along with these themes, he is currently developing other research on the value and use of images in contemporary art, music videos and mass media within the framework of the new audiovisual culture. His interest in iconographic studies within visual culture and modern art is reflected in various works on the remodelling of classical themes in mass media and the artistic problematic of music videos, the life of images and their relationship with musical movements. More information in his ORCID ID:

0000-0002-3917-0766.

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Published

2025-11-21

How to Cite

Medina, M. Ángel, & Sánchez López, J. A. (2025). Life as art and art as life : Reflections on seven exemplary bioartistic works. Eviterna Journal, (17), 75–92. https://doi.org/10.24310/re.17.2025.20057