The photographic image in Gerhard Richter's work
DOI:
https://doi.org/10.24310/Eviternare.v1i1.8020Keywords:
Image; Photography; Painting; Atlas; MemoryAbstract
Gerhard Richter, like many other contemporaries, has taken the photographic image as a starting point for his artistic search. The pictorial use he has made of photography or, if you will, his photographic conception of painting come into conflict with the omnipresent culture of the commercial image of our societies. While its Atlas presents us the world under the signs of banality and transience, his abstract paintings seek access to certain performativity without issue.
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References
BUCHLOH, Benjamin (1999), “El Atlas de Gerhard Richter: el archivo anómico”, en Fotografía y Pintura en la obra de Gerhard Richter, MACBA, Barcelona.
CHEVRIER, Jean François (1999), “Entre las bellas artes y los media (El ejemplo alemán: Gerhard Richter)”, en Fotografía y Pintura en la obra de Gerhard Richter, MACBA, Barcelona.
GIAVERI, Francesco (2011), “El Atlas de Gerhard Richter”, en Anales de Historia del Arte, Universidad Complutense, Madrid.
KRACAUER, Siegfried (2008), La fotografía y otros ensayos, Gedisa, Barcelona.
ROCHLITZ, Rainer (!999), “El punto en que nos hallamos”, en Fotografía y Pintura en la obra de Gerhard Richter, MACBA, Barcelona.
WARBURG, Aby (2010), Atlas Mnemosyne, Akal, Madrid.
ZWEITE, Armin (1999), “El Atlas de fotografías, collages y bocetos de Gerhard Richter”, en Fotografía y Pintura en la obra de Gerhard Richter, MACBA, Barcelona.
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