The visual metaphor in the universe of photographer Tatsuya Tanaka
architecturization of a miniature world
DOI:
https://doi.org/10.24310/Fotocinema.2023.vi26.15571Keywords:
Photography, visual metaphor, Tatsuya Tanaka, visual rhetoric, miniature, architecturizationAbstract
The work of the Japanese photographer Tatsuya Tanaka (1981) has recently attracted a great deal of interest. His discourse is based on the visual metaphor (from which so many photographers have drawn throughout history since the beginnings of photography, and especially in the avant-garde) but, unlike the latter, he confines it to a distinctly Japanese cultural environment: with miniatures that populate his images, linking his work to Japanese artisanal mythology, and to the dioramas formulated by Daguerre, which reconstructed suggestive scenes of everyday life. We will study four pieces with a methodology consisting of photographic analysis and an exclusive interview granted to us by the author himself. Our conclusions are that his proposal is radically referential, that it connects with the most atavistic Japanese artistic tradition but that, nevertheless, it is profoundly generational and designed for an audience that follows social media, especially instagram, where Tatsuya Tanaka has accumulated more than 4 million followers with only three published books.
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