No. 32 (2026): Almodovar: dialogues with other arts

Presentation

Dialogues with other arts: Almodóvar

Francisco A. Zurian, Uta A. Felten

3-9
- PDF (Spanish)
- PDF

ARTICLES

The Flower of My Secret (Pedro Almodóvar, 1995): a melting pot of intertexts

Pedro Poyato

11-44
- PDF (Spanish)
- PDF
“I want you to suffer what I suffer:” Adaptation, film genre and violence in Live Flesh (1997) by Pedro Almodóvar “Yo quiero que tú sufras lo que yo sufro”

Alejandro Soto-Chaves

45-66
- PDF (Spanish)
- PDF
The (pink) snow is falling upon all the living and the dead. Film Rewritings in The Room Next Door.

Endika Rey, María Adell

67-91
- PDF (Spanish)
- PDF
Representación de la maternidad (no)idealizada en el teatro y el cine. Estudio comparado de Pedro Almodóvar y Federico García Lorca

Mónica Berros Ramos, Daniel Acle Vicente, Alejandro García Pérez

93-117
- PDF (Spanish)
- PDF
Fotografías rotas y función paterna: análisis textual de Todo sobre mi madre (1999), Hable con ella (2002) y Dolor y gloria (2019)de Pedro Almodóvar

Eva Hernandez Martinez

119-143
- PDF (Spanish)
- PDF
Photography, Memory and Material Culture in Madres Paralelas (Pedro Almodóvar, 2021)

Francisco-José García-Ramos

145-174
- PDF (Spanish)
- PDF
Absences, Presences, and Farewells The Idea of the Ghost and Its Double in Pedro Almodóvar’s Volver and Its Relationship with Other Specters.

Fernando Sáez Pradas

175-194
- PDF (Spanish)
- PDF
Salvation Through the Word or the Luminous Ghosts of The Room Next Door (2024)

Tecla González Hortigüela, Shaila García Catalán

195-220
- PDF (Spanish)
- PDF
The Weird and the Eerie in Almodóvar's The Skin I Live In: an examination of the film’s musical score

Elena Rosillo, José Antonio Sánchez Sanz

221-244
- PDF (Spanish)
- PDF
Still Life with Flowers and Fruits: Painting with Images or the Poetic Cinema of Pedro Almodóvar

Francisco Javier Amaya Flores, Rui Pedro Bastardo de Oliveira Vau

245-264
- PDF (Spanish)
- PDF

Miscellany

Photography of Francesca Woodman: the body as canvas. The dichotomies of Eros/Thanatos and the angelic/ghostly in her photographic work

Manuel Blanco

265-290
- PDF (Spanish)
- PDF
The cinematic landscape and characters in tourist comedy: Narrative, humor, and social identity by Jacques Tati and Paco Martínez Soria

Patricia Gascón-Vera, Joseba Bonaut-Iriarte

291-320
- PDF (Spanish)
- PDF

Diálogos

La refundación de un director. Diálogos sobre cine y marginalidad con Manuel Martín Cuenca

Daniel Parra Berenguel

321-360
- PDF (Spanish)
Interview with Javier Aguirresarobe. Madrid Film School and the Camera specialty

Raúl Liébana Liébana

361-372
- PDF (Spanish)
Entrevista a José Antonio Palao Errando, autor del libro La interfaz del sentido. La pantalla fílmica entre las demás pantallas

Ferrando-Paulo, Javier Marzal Felici

373-384
- PDF (Spanish)

Presentation

Dialogues with other arts: Almodóvar

ARTICLES

The Flower of My Secret (Pedro Almodóvar, 1995): a melting pot of intertexts

“I want you to suffer what I suffer:” Adaptation, film genre and violence in Live Flesh (1997) by Pedro Almodóvar “Yo quiero que tú sufras lo que yo sufro”

The (pink) snow is falling upon all the living and the dead. Film Rewritings in The Room Next Door.

Representación de la maternidad (no)idealizada en el teatro y el cine. Estudio comparado de Pedro Almodóvar y Federico García Lorca

Fotografías rotas y función paterna: análisis textual de Todo sobre mi madre (1999), Hable con ella (2002) y Dolor y gloria (2019)de Pedro Almodóvar

Photography, Memory and Material Culture in Madres Paralelas (Pedro Almodóvar, 2021)

Absences, Presences, and Farewells The Idea of the Ghost and Its Double in Pedro Almodóvar’s Volver and Its Relationship with Other Specters.

Salvation Through the Word or the Luminous Ghosts of The Room Next Door (2024)

The Weird and the Eerie in Almodóvar's The Skin I Live In: an examination of the film’s musical score

Still Life with Flowers and Fruits: Painting with Images or the Poetic Cinema of Pedro Almodóvar

Miscellany

Photography of Francesca Woodman: the body as canvas. The dichotomies of Eros/Thanatos and the angelic/ghostly in her photographic work

The cinematic landscape and characters in tourist comedy: Narrative, humor, and social identity by Jacques Tati and Paco Martínez Soria

Diálogos

La refundación de un director. Diálogos sobre cine y marginalidad con Manuel Martín Cuenca

Interview with Javier Aguirresarobe. Madrid Film School and the Camera specialty

Entrevista a José Antonio Palao Errando, autor del libro La interfaz del sentido. La pantalla fílmica entre las demás pantallas

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