Visual archives towards the recovery and reactivation of artistic and pedagogical heritage at the School of Fine Arts in Porto
DOI:
https://doi.org/10.24310/Fotocinema.2022.vi25.14211Keywords:
Photographic archive, Image analysis, Photography and Visual History, Life stories, School of Fine Arts of PortoAbstract
This article reviews the development of a visual archive within the scope of a funded project Wisdom Transfer that was realised at the Faculty of Fine Arts (FBAUP), University of Porto, in Portugal from 2018 to 2021. The project’s directional objective was to research on the pedagogic environment at the faculty during key years preceding the Revolution of 25 April 1974, towards recovering and reactivating the connected historical, empirical, and technical heritage – which had had a pivotal influence on the maturation of the faculty’s now distinctive cultural identity.
The visual archive was based on photographic and audio-visual materials gathered through a series of interview-based sessions with noted artists who were associated with the faculty during the indicated period as either teachers or students.
The photographic materials included both original imageries belonging to the period, and contextual pictures taken during the project period, and became generative resources for both the reconstruction of pedagogic histories, and their reinterpretation in contemporary contexts of creative education. The article, thereby, concatenates the methodological elements that were instrumental in the articulation of the visual archive, alongside a number of key project outputs towards highlighting the efficacy of photographs and photography in conducting social research.
Downloads
References
Published
Dimensions
Issue
Section
License
All contents published in Fotocinema Revista científica de cine y fotografía are protected under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. All about this license is available in the following link: <http://creativecommons.org/licenses/by-nc-sa/4.0>
Users can copy, use, redistribute, share and exhibit publicly as long as:
- The original source and authorship of the material are cited (Journal, Publisher and URL of the work).
- It is not used for comercial purposes.
- The existence of the license and its especifications are mentioned.
There are two sets of authors’ rights: moral and property rights. Moral rights are perpetual prerogatives, unrenounceable, not-transferable, unalienable, imprescriptible and inembargable. According to authors’ rights legislation, Fotocinema. Revista científica de cine y fotografía recognizes and respects authors moral rights, as well as the ownership of property rights, which will be transferred to University of Malaga in open access. The property rights are referred to the benefits that are gained by the use or the dissemination of works. Fotocinema. Revista científica de cine y fotografía is published in an open access form and it is exclusively licenced by any means for doing or authorising distribution, dissemination, reproduction, , adaptation, translation or arrangement of works.
Authors are responsable for obtaining the necessary permission to use copyrighted images.







13.png)


