An attentive gaze. The work with the image from an approach to the artwork of Chantal Akerman as performativity
DOI:
https://doi.org/10.24310/Fotocinema.2022.vi24.13773Keywords:
Chantal Akerman, Performativity, Image, Artistic ResearchAbstract
The work proposes to investigate everyday life to generate forms based on the image as a performative device. In this way, the text is articulated from the concept of image performativity from the creative process of Chantal Akerman, to recover the image-forming power and the importance it acquires in our lives, in the face of a reality anesthetized by the repetition of the pictures. Thus, the work is intended to answer these images from performativity to open possible imaginaries. For this, the text is organized according to an approximation to the work of the filmmaker Chantal Akerman. Working with the image through the autobiographical, everyday life and memory, experimenting with the elements offered by the artistic medium to create new relationships, annotations for an artistic investigation from performativity as an emergency.
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