Chorégraphie sentimentale
DOI:
https://doi.org/10.24310/Fotocinema.2012.v0i4.5876Abstract
Sagitario (2001) de Vicente Molina, película a la vez alegre y melancólica, presenta una estructura «mosaica» que frente a la jerarquización de los hechos según una lógica causal, se sustituye por un «estado del mundo». La arbitrariedad de la contigu?idad espacial se une a la ubicuidad enunciativa para construir un mundo dominado por la discontinuidad y la inconstancia. A la ruptura estructural y a la dispersión del relato corresponde la visión de un sujeto cambiante y múltiple que parece derrotar todo principio de continuidad a pesar del
recurso –que puede uno suponer lúdicamente genérico– al «happy
end».
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