Entre el collage y el bricolaje. Una cierta mirada hacia El desprecio de Godard en Los abrazos rotos de Almodóvar

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DOI:

https://doi.org/10.24310/Fotocinema.2012.v0i5.5897

Abstract

En Los abrazos rotos, Almodóvar construye un relato a partir de otros relatos. Lo hará de dos formas. Por una parte muestra -lo que denominamos collage- un conjunto de obras pictóricas y cinematográficas principalmente. Por otra construye unas relaciones más ocultas, menos visibles, que englobamos dentro de la definición de bricolage de Levi-Strauss. Esta última forma nos conduce a El desprecio (Le mépris, 1963) de Godard, que es la que utiliza para narrar la relación entre Martel y Lena.

Palabras clave: Almodóvar; collage; bricolaje; posmodernidad; Godard; Le mépris.

Key words: Almodóvar; collage; bricolage; postmodernism; Godard; Le mépris.

 

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Author Biography

  • Agustín Gómez, University of Malaga
    University of Malaga

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Published

2012-09-28

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Issue

No. 5 (2012)

Section

ARTICLES

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How to Cite

Gómez, A. (2012). Entre el collage y el bricolaje. Una cierta mirada hacia El desprecio de Godard en Los abrazos rotos de Almodóvar. Fotocinema. Revista científica De Cine Y fotografía, 5. https://doi.org/10.24310/Fotocinema.2012.v0i5.5897