No. 18 (2019)

View No. 18 (2019)

DOI: https://doi.org/10.24310/Fotocinema.2019.v0i18

Published: 2019-01-27

Presentation

Word and Image

Edoardo Balletta, Manuel Blanco

3-11
- PDF (Spanish)
- HTML (Spanish)

ARTICLES

Title sequences as film heritage. From informative documents to artwork

María Begoña Sánchez Galán

13-36
- PDF (Spanish)
- HTML (Spanish)
Cinema and multilingualism in the subtitled abbey of Jean-Jacques Annaud

Fran Mateu

37-59
- PDF (Spanish)
- HTML (Spanish)
The effective use of the image and the word in an oleanian film rewriting of Tormento

Cristina Jiménez Gómez

61-76
- PDF (Spanish)
- HTML (Spanish)
Words and images of the underground culture in the filme 1,2,3 al escondite inglés (Iván Zulueta, 1970)

Elena Rosillo

77-98
- PDF (Spanish)
- HTML (Spanish)
Writer’s block in The Lost Weekend (Billy Wilder, 1945)

Juan Carlos Pueo

99-112
- PDF (Spanish)
- HTML (Spanish)
The Table Work in the Audiovisual Media: The Hermeneutics of the Word/Logos

Emeterio Diez Puertas, Jorge Iván Suárez

113-135
- PDF (Spanish)
- HTML (Spanish)
Speech balloons as transposition of comic dialogue to cinema in Who wants to Jessie? (Kdo Chce Zabít Jessii?, Václav Vorlí?ek, 1966)

Luis E. Froiz Casal

137-158
- PDF (Spanish)
- HTML (Spanish)
Metaphors about time and perception. A study about Villeneuve’s movie: Arrival

Deborah Rodríguez R.

159-174
- PDF (Spanish)
- HTML (Spanish)
Photograms and screens. Images through the lens of words and words through the lens of images

Verónica Tell

175-191
- PDF (Spanish)
- HTML (Spanish)
From the photographic to contemporary photograpy: The image in the discursive interchange

Leticia Rigat

193-213
- PDF (Spanish)
- HTML (Spanish)

Miscellany

About the discursive dimension of photography in the sixties: a genealogy of the documentary side of concept art

Víctor Murillo Ligorred

215-230
- PDF (Spanish)
- HTML (Spanish)
Nature in Virxilio Viéitez’s photography

Miguel Cavadas Docampo

231-248
- PDF (Spanish)
- HTML (Spanish)
The evolution of the images in the years of the last argentine military dictatorship: circulation and recepcion of hermetic-metaphorical fictions

Ana Laura Lusnich

249-272
- PDF (Spanish)
- HTML (Spanish)
The music, propaganda and the No-Do advertising

Rafael Ángel Rodríguez López

273-290
- PDF (Spanish)
- HTML (Spanish)
Rojo amanecer: the image problem of Tlatelolco 1968

Carlos Belmonte Grey

291-306
- PDF (Spanish)
- HTML (Spanish)

Diálogos y reseñas

From shared screenplays and other ideas. Interview with Inés Bortagaray

David Vázquez Couto

307-313
- PDF (Spanish)
- HTML (Spanish)
The uncomfortable look. An interview with Ignacio Pardo

Sara Donoso

314-322
- PDF (Spanish)
- HTML (Spanish)
Fotografía de Casiano Alguacil. Monumentos artísticos de España

Beatriz Sánchez Torija

323-325
- PDF (Spanish)
- HTML (Spanish)
Bajo el signo de la melancolía. Cine, desencanto y aflicción

Santos Zunzunegui

326-328
- PDF (Spanish)
- HTML (Spanish)
Adaptación 2.0. Estudios Comparados Sobre Intermedialidad. In honorem José Antonio Pérez Bowie

Antonio Gil González, Pedro Javier Pardo (edit.)

329-331
- PDF (Spanish)
- HTML (Spanish)
Goya en el audiovisual. Aproximación a sus constantes narrativas y estéticas en el ámbito cinematográfico y televisivo

Francisco Javier Lázaro Sebastián Fernando Sanz Ferreruela

332-334
- PDF (Spanish)
- HTML (Spanish)
El efecto Sherlock Holmes. Variaciones de la mirada de Manet a Hitchcock

Victor Stoichita

335-337
- PDF (Spanish)
- HTML (Spanish)
Cine desde las dos orillas: directores españoles y brasileños

María Marcos Ramos (ed.).

338-343
- PDF (Spanish)
- HTML (Spanish)