Premios Goya entre milenios. Directoras de cine más valoradas por la Academia de 1990 a 2010 y aportaciones feministas de sus largometrajes

Abstract

The Goya Awards editions celebrated between the last decade of the XX centrury and the first of the XXI century, reveal the discrimination to women in Spain in the work, social and cultural environment, suffered from previous decades. Between 1990 and 2010 a new women directors generation emerge and gets to consolidate in the cinema industry because of the differentiating features of their films. However only a low rate of the movies directed by these women got the appretiation of the Spanish Academia de las Artes y las Ciencias Cinematográficas (Spanish Film Academy), such as Pilar Miró and Ángeles González-Sinde, in which case is noteworthy to comment their politic activity before and during their professional career. While taking into account how affected the emergence of private television channels to filming creativity during these two decades, this researchment analyses the gender discrimination in the cinema industry that influenced the Spanish Film Academy appretiation to these director´s movies, expressed by Goya Awards editions celebrated between the milennia. The methodology used has been the qualitative-quantitaive analyse completed by personal interviews to sector professionals and CIMA delegates (Women Directors and Professionals in Audioviusal Media Asociation).