Twin Peaks 03: A 18 hours lenght canvas
DOI:
https://doi.org/10.24310/Fotocinema.2018.v0i16.4109Keywords:
David Lynch, Digital, Narrative, Twin Peaks, Inland Empire, Painting.Abstract
David Lynch’s latest creation, released simultaneously Worldwide this year 2017 it’s been a surprising sequel of the TV Series he started in 1990, but with a brand new style and narrative that put it closer to videoart and which has references from the most important painting artists of the 20th Century. The transition from chemical cinema to digital cinema through short films made for his website changed the way David Lynch expresses himself and ended up with the construction of the long feature film Inland Empire in 2006. Since then, all his creative production has changed, setting him aside from big Hollywood industry, but three years ago he was asked to continue Twin Peaks, cancelled in 1991. After analysing the content of Lynch’s artwork we’ll see that artits like Francis Bacon or Edward Hopper are a constant influence in Lynch filmography, but to enumerate influences is just a small part of the purpose because it’s not a question of the content but of the creative process what makes the series a pioneer in a new narrative product for massive consumtion through televisión. The change of cinematographic techniques made this artwork something beyond television narrative.
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