Goya en el audiovisual. Aproximación a sus constantes narrativas y estéticas en el ámbito cinematográfico y televisivo

Authors

  • Francisco Javier Lázaro Sebastián Fernando Sanz Ferreruela University of Zaragoza Spain

Keywords:

Goya, cinema, painting

Abstract

Book review: Francisco Javier Lázaro Sebastián y Fernando Sanz Ferreruela, (2017). Goya en el audiovisual. Aproximación a sus constantes narrativas y estéticas en el ámbito cinematográfico y televisivo. Zaragoza: Prensas de la Universidad de Zaragoza, Colección: De Arte, n.º 10

Downloads

Download data is not yet available.

Metrics

Metrics Loading ...

Author Biography

Francisco Javier Lázaro Sebastián Fernando Sanz Ferreruela, University of Zaragoza

Department of Art History, University of Zaragoza

References

Francisco Javier Lázaro Sebastián y Fernando Sanz Ferreruela, (2017). Goya en el audiovisual. Aproximación a sus constantes narrativas y estéticas en el ámbito cinematográfico y televisivo. Zaragoza: Prensas de la Universidad de Zaragoza, Colección: De Arte, n.º 10

Downloads

Published

2019-01-27

How to Cite

Fernando Sanz Ferreruela, F. J. L. S. (2019). Goya en el audiovisual. Aproximación a sus constantes narrativas y estéticas en el ámbito cinematográfico y televisivo. Fotocinema. Revista científica De Cine Y fotografía, (18), 332–334. Retrieved from https://www.revistas.uma.es/index.php/fotocinema/article/view/5551

Issue

No. 18 (2019)

Section

Diálogos y reseñas

License

All contents published in Fotocinema Revista científica de cine y fotografía are protected under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. All about this license is available in the following link: <http://creativecommons.org/licenses/by-nc-sa/4.0>

Users can copy, use, redistribute, share and exhibit publicly as long as:

  • The original source and authorship of the material are cited (Journal, Publisher and URL of the work).
  • It is not used for comercial purposes.
  • The existence of the license and its especifications are mentioned.

There are two sets of authors’ rights: moral and property rights. Moral rights are perpetual prerogatives, unrenounceable, not-transferable, unalienable, imprescriptible and inembargable. According to authors’ rights legislation, Fotocinema. Revista científica de cine y fotografía recognizes and respects authors moral rights, as well as the ownership of property rights, which will be transferred to University of Malaga in open access. The property rights are referred to the benefits that are gained by the use or the dissemination of works. Fotocinema. Revista científica de cine y fotografía is published in an open access form and it is exclusively licenced by any means for doing or authorising distribution, dissemination, reproduction, , adaptation, translation or arrangement of works.

Authors are responsable for obtaining the necessary permission to use copyrighted images.