Bergman y Rossellini frente a la TV
DOI:
https://doi.org/10.24310/Fotocinema.2011.v0i3.5869Abstract
La fe y la esperanza que Ingmar Bergamn y Roberto Rossellini depositaron en el mundo de la televisión produjo en la obra de ambos directores singulares filmes que posteriormente han podido verse en las salas tradicionales del cine, aunque no siempre. Para Bergman no había ninguna diferencia entre el cine y la televisión, mientras que para Rosselllini en un principio sí, aunque más tarde tendió a subsumir los dos lenguajes en uno solo. La semilla que ambos plantaron en esta dialéctica visual ejerció una gran influencia en la historia del cine. Paradójicamente hoy la autoría y la televisión, salvo raras excepciones, no parece producir grandes encuentros.
PALABRAS CLAVE: televisión, Bergman, Rossellini, Saraband, Sócrates, paradigmas, Secretos de un matrimonio.
KEYS WORDS: TV, Bergman, Rossellini, Saraband, Socrates, paradigms, Scenes from a Marriage
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