Ojo móvil, dinamismo y montaje. El influjo cinematográfico en las primeras vanguardias artísticas
DOI:
https://doi.org/10.24310/Fotocinema.2016.v0i13.6060Abstract
La coincidencia cronológica entre el desarrollo del cine y el nacimiento y devenir de las primeras vanguardias es un hecho que debe conducir a analizar el peso que pudo tener el nuevo procedimiento de creación de imágenes en la creatividad artística plástica. La influencia de la pintura en el cine ha sido ya ampliamente estudiada, pero no en el sentido inverso. Sin embargo, entre las numerosas teselas que conforman las motivaciones del arte contemporáneo, la influencia de la imagen tecnológica se puede considerar determinante. El objetivo es analizar cómo el cine impactó sobre la mirada de los artistas de vanguardia y de alguna manera les impulsó a caminar por nuevos derroteros.Abstract:
The chronological coincidence between the development of cinema and the birth and development of the first avant-garde movements is a fact that lead us to analyze the influence that new procedures for the creation of images had could have on plastic artistic creativity. The influence of painting on cinema has been widely studied, but the opposite has not happened. Nevertheless, among the first elements that motivate contemporary art, the influence of technological images is fundamental. My objective is to analyze how cinema changed the way avant-garde artist looked at objects, and somehow made them walk along new paths.
Palabras clave:
Vanguardia; cine; ojo móvil; collage; Ready made; fotomontaje.
Keywords:
Avant-garde Movements; Cinema; Mobile Eye; Collage; Ready Made; Photomontage.Downloads
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