Crisis in Lucrecia Martel's World
DOI:
https://doi.org/10.24310/Fotocinema.2020.v0i20.7620Keywords:
Analyse, Lucrecia Martel, Crisis, Heterotopy, CronographyAbstract
In the study we analyze three Lucrecia Martel films under the aegis of notions such as crisis, heterotopy and chronography. In addition we try to describe some hegemonic figures, such as the ellipse, in order to deal with the author style. The results point at that Lucrecia Martel delay the meaning in favor of a powerful sense which blooming in the end of the films. We meant, Martel make up some rethorical figures (heterotopia, chronography, and ellipse) in order to generate text effect very close, above all, to a crisis situation, an increased point of view during the films fruition. Our approach elucidate some films fragments, the ones that under the aegis of another point of view could impoverish the fruition. Therefore, we prefer to set up a brief rethoric study of Argentinian director in order to a better fruition.
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