Memory of the past, remembrance of the present. Photographic materialization of the Ukraine-Russian war in the work of Anatolii Stepanov
DOI:
https://doi.org/10.24310/Fotocinema.2022.vi25.14494Keywords:
españolAbstract
Abstract
This research focuses its interest on the textual analysis of the meaning mechanisms of a photograph taken by Anatolii Stepanov, a Ukrainian war photojournalist. The visual text object of study stands out for the fruitful and polyhedral semanticity that it encloses in its plastic forms, figurative expressions and structural contents. Due to this, it is a paradigmatic example of the author's work and, at the same time, of the conflict between the two nations that it portrays. The structuralist semiotic analysis has been the tool used to elucidate and understand what it says and, above all, how it says those thematic aspects that it raises. The results of the study indicate that the ideological axes of the war between Ukraine and Russia; the violence of nature, in general, and human violence, in particular; the brutality of an armed conflict; the love towards a snatched nation and the struggle of the weakest against the strongest are materialized themes in the plastic and figurative level.
Downloads
Metrics
References
Arnheim, R. (2006). Arte y percepción visual. Alianza. (Trabajo original publicado en 1954).
Atlante delle Guerre e dei Conflitti del Mondo. (2021). Wars. Conflict & Consequences Stories. Stepanov Anatolii with “War in Ukraine”. https://www.atlanteguerre.it/wars-2021-winners/
Bezruchenko, D. (29 de octubre de 2020). Born in independent Ukraine, they now defend their country’s sovereignty & territorial integrity. Euromaidanpress. https://euromaidanpress.com/2020/10/29/born-in-independent-ukraine-they-now-defend-their-countrys-sovereignty-territorial-integrity/
De la Guardia, R., García Andrés, C., y González Martín, R. (2017). Conflictos postsoviéticos. De la secesión de Transnistria a la desmembración de Ucrania. Dykinson.
Eco, U. (1977). Tratado de semiótica general. Lumen.
Fraguas, T. (1 de marzo de 2022). El cielo, el trigo y ¿un tridente?: la simbología de la bandera de Ucrania. Eldiario.es. Recuperado el 1 de febrero de 2022 de https://www.eldiario.es/internacional/cielo-trigo-tridente-simbologia-bandera-ucrania_1_8792450.html
García Andrés, C. (2020). La influencia de la Unión Europea en el espacio postsoviético: la Asociación Oriental (2009-2019). Historia Actual Online, 53(3), 31-42. https://doi.org/10.36132/hao.vi53.1941
Gibson, J. (1974). La percepción del mundo visual. Infinito. (Trabajo original publicado en 1950).
Grant, K. (2021). Atlante delle Guerre e dei Conflitti del Mondo. Conflict & Consequences Stories. Stepanov Anatolii with “War in Ukraine”. Recuperado el 3 de febrero de 2022 de https://www.atlanteguerre.it/wars-2021-winners/
Greimas, A., y Courtés, J. (1982). Semiótica. Diccionario razonado de la teoría del lenguaje. Gredos.
Kostyrin, V. (15 de agosto de 2018). Photos that produce new meanings. The Day (42). https://day.kyiv.ua/en/article/society/photos-produce-new-meanings
Panofski, E. (1972). Estudios sobre la iconología. Alianza. (Trabajo original publicado en 1939).
Stepanov, A. (2018). Conflict & Consequences Stories. Stepanov Anatolii with “War in Ukraine”. Atlante delle Guerre e dei Conflitti del Mondo. Recuperado el 3 de febrero de 2022 de https://www.atlanteguerre.it/wars-2021-winners/
Stepanov, A. [@stepanovanatolii]. (30 de diciembre de 2021). Atlante delle guerre e dei conflitti del mondo wars 2021 War in Ukraine Category: Photo Stories related with Conflicts Finalist [Fotografía]. Instagram. https://www.instagram.com/p/CYHmX8XMKkJ/
Vagner, O. (11 de agosto de 2021). Anything Can Happen At Any Moment': Ukrainian War Photographer On Life In The Trenches. Radio Free Europe/Radio Liberty. Recuperado el 4 de febrero de 2022 de https://www.rferl.org/a/ukrainian-photographer-describes-covering-donbas-conflict/31401117.html
Zumalde, I. (2021). Fondo, figuras y sentido. Cómo analizar imágenes y disfrutar en el intento. Fragua.
Zunzunegui, S. (2003). Las cosas de la vida. Lecciones de semiótica estructural. Biblioteca Nueva.
Downloads
Published
How to Cite
Issue
Section
License
All contents published in Fotocinema Revista científica de cine y fotografía are protected under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. All about this license is available in the following link: <http://creativecommons.org/licenses/by-nc-sa/4.0>
Users can copy, use, redistribute, share and exhibit publicly as long as:
- The original source and authorship of the material are cited (Journal, Publisher and URL of the work).
- It is not used for comercial purposes.
- The existence of the license and its especifications are mentioned.
There are two sets of authors’ rights: moral and property rights. Moral rights are perpetual prerogatives, unrenounceable, not-transferable, unalienable, imprescriptible and inembargable. According to authors’ rights legislation, Fotocinema. Revista científica de cine y fotografía recognizes and respects authors moral rights, as well as the ownership of property rights, which will be transferred to University of Malaga in open access. The property rights are referred to the benefits that are gained by the use or the dissemination of works. Fotocinema. Revista científica de cine y fotografía is published in an open access form and it is exclusively licenced by any means for doing or authorising distribution, dissemination, reproduction, , adaptation, translation or arrangement of works.
Authors are responsable for obtaining the necessary permission to use copyrighted images.
.png)
13.png)
