Un nuevo enfoque de la lectura musical. Análisis literario, musical y didáctico del cuento "Mi madre la Oca"
DOI:
https://doi.org/10.24310/revistaisl.vi2.10950Keywords:
cuento musical, competencia literaria, discurso metaficcional, intertextualidadAbstract
Nuestra experiencia docente en las aulas de diferentes niveles educativos nos alerta de la urgente necesidad de replantearnos nuevos enfoques de lectura. Consideramos que los esquemas narrativos tradicionales deben ser enriquecidos y actualizados por medio de diversos códigos que pretendan un motivador acercamiento al hecho literario, iniciativa ya tomada por ciertas colecciones de cuentos a través de una innovadora propuesta musical.
En este sentido, analizamos las cualidades didácticas e interartísticas del cuento musical Mi madre la Oca con texto de Fernando Palacios, música de Maurice Ravel e ilustraciones de Alicia Cañas. El diálogo que en el cuento se establece entre los distintos códigos (verbal, musical y gráfico), a partir de las relaciones intertextuales con la cuentística francesa fundamentalmente, da lugar a una triple lectura hipertextual y metaficcional, que aleja al escolar de un tradicional concepto lecto- literario mediante este atractivo formato editorial del libro-CD y procura el desarrollo de su competencia literaria.
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