Art, church and renovation. The influence of the postconciliar thought in the work of the sculptor Jose Maria Aguilar Collados (1909-1992)

Abstract

José María Aguilar Collados, sculptor and religious, appears before us as artist's illustrious example influenced by the way and his time; parameters characteristic of a plastic arts, always figurative, whose logical evolution will take him from the neobarroco to a bet decided on more ultramodern aesthetics spiritually influenced by Romanesque and Gothic forms. Special incidence will have in its work and thought the emanated guidelines of Sacrosanctum Concilium.