Joaquín Peinado. Neocubista y lírico (1924-1930)

Abstract

Till now, to speak about Joaquín Peinado was Spanish School of Paris to do it of one of the most representative painters of one badly understood, and badly named; of a follower of the cubism who used the geometric forms and estilemas of the famous ismo to realize works of great epidermal figurative and conceptual abstract sense; of a “pro-form” art. But there was, before this one, another Peinado. A painter that, in the shade of the decorative cubism of Picasso, I take to his linens a “new” cubism; a neo-cubism who, mixed with blasts of return to the order and adorned with drops of surrealism, it led, together with Bores, Viñes, Cossío, González de la Serna, Gischia, Estevé, Beaudin or Menkes, to the lyric figuration called.