Las imágenes de los cuatro continentes del escultor chileno Virginia Arias (1855-1941)

Authors

  • José Miguel Morales Folguera

DOI:

https://doi.org/10.24310/BoLArte.2003.v0i24.4676

Abstract

Iconography of the Four Parts of the World -diffused along XVI century through iconographical cycles- is studied here, pointed to sculptural recreations made by Virgilio Arias at XIX, establishing their relations with French works from XVIII century, attending also to several replicas of them.

Downloads

Download data is not yet available.

Metrics

Metrics Loading ...

Publication Facts

Metric
This article
Other articles
Peer reviewers 
0
2.4

Reviewer profiles  N/A

Author statements

Author statements
This article
Other articles
Data availability 
N/A
16%
External funding 
N/A
32%
Competing interests 
N/A
11%
Metric
This journal
Other journals
Articles accepted 
2%
33%
Days to publication 
2
145

Indexed in

Editor & editorial board
profiles
Academic society 
N/A
Publisher 
Universidad de Málaga.

Published

2018-04-04

How to Cite

Morales Folguera, J. M. (2018). Las imágenes de los cuatro continentes del escultor chileno Virginia Arias (1855-1941). Boletín De Arte, (24), 53–70. https://doi.org/10.24310/BoLArte.2003.v0i24.4676

Issue

Section

Research Paper